Under the hood: Maxon 1974 U-1000 Pickup

This 46 year old Maxon U-1000 showed up on Yahoo Auctions needing a new home and a new pickup lead wire. I though the U-1000s started in 1975 but the stamp on this one shows a 1974 date.





Thankfully the pickup coils were both intact and there were no shorts. There are the remains of a "Maxon" sticker that would have looked like this:

You can see that Maxon did a decent job of replicating the good old PAF design with the wooden spacer and the metal bar. The magnet is probably Alnico 8 if it is in line with the typical U-1000 design.

A little bit of soldering action later we have a nice vintage U-1000 reading a bit over 8k in resistance.

Now to find a guitar to put it in....

Get your Ace Frehley on! Greco EG-600PR

Ace Frehley and Kiss have been big in Japan since the 70s and still make waves today. The current Ace-less KISS incarnation just finished played the Japan shows on their latest farewell tour.

Back in the 70's when Gibson's glory days were behind it and Japanese guitar makers were building on years of experience to produce excellent handmade Gibson models even Ace had to see what all the fuss was about. There are photos of him playing the Mick Ralphs model and a special AK-1400 flying V model during live shows in Japan.

Ace with Greco AK-1400 Flying V model -  Key Music Limited

Ace with a 1977 Greco MR-1000

There have been many Greco homages to Ace's famous three-pickup "Budokan" 1974 Gibson Custom over the years starting in the mid 70's with a few Greco models. I just acquired the very clean 1981 EG600PR below from everyone's favorite music store Ishibashi. It is a fairly light one at 4.2 kg and has a nicely matched 3-piece top. The U-1000 pickups are ceramic and work very nicely as open pickups. While the 1980 Super Real catalog has this model listed as having an ebony fretboard ("エボニー") it does not, and I've never seen one that does from the Super Real era and I'm pretty sure that was an unfortunate error in producing the catalog. I'd love to get am EG800PR which has an ebony fretboard and MOP inlays but they are fairly rare. 

Greco PU-2s and the letter "A"

These "A" stamped pickups show up from time to time, with no real reason or rhyme. Why did they use an "A" stamp on some 80's Maxon pickups made for Greco?

The only working idea I have is that they wound the "A" pickups in the same place and at the same time as they wound the "Z" pickups. I think they probably didn't want to get them mixed up so decided to use an "A" stamp for PU-2 pickups.

Are all "A" stamped pickups PU-2s? There are also some "A" pickups without "PU-2" embossing in the plates. One more mystery.

The pictured set is from a 1980 EGF-850. The numbers suggest different production dates. Only one has an "A".

Grecomania strikes again

Aoyama Oyaji has been busy lately with what else but some new Greco golden age guitars. 

Not much to report in detail, just some new pictures of old guitars.

1980 Super Real Custom. It came with DRY-Z but in a moment of stupidity they were sold.

1981 Super Real EGF-1800? It came with a Super Real case but no pickups.

EGF-850 Super Sound. No, really! PU-2, veneer flame, MOP inlays, and "Super Sound" on the headstock.

Good old 1980 EGF-850 "Super Real". Double white PU-2 pickups.

1983 Mint Collection EC57-60. Oddly light at 4.0 kg.

1986 EG60-180 equivalent. It has "Custom Order" in the pickup cavity, solid flametop, 1 piece back, and real nitro with finish checking.

1990 solid flametop with nitro finish. 2-piece back and neck heel make it an odd high-end model.

New catalog added: The Mint Collection 1982

Just click right here to get to it.

DRY-Z Part 3: From the blog of Jun Takano

Sorry, finishing this translation of Jun Takano's blog posts on DRY-Z development slipped my mind. Better late than never!

Part 3 of the blog entry of Jun Takano regarding the "Z-DRY" development. Translated from the original Japanese.

Part 2 here.

Part 1 here.

The factory cost of the pickups we had developed up to that point was higher than the popular imported Dimarzio pickup of the time and it didn't make any sense to put them in the lower-priced guitar models so they were used only on the high-priced models.

Many guitars that had the pickups installed were passed to foreign artists. Among them were some people like Andy Latimer who didn't want a guitar but only wanted to have the pickups.  

Of course, I was still not 100% satisfied with what we had accomplished up to that time. I wanted to improve the specifications but I was unable to successfully negotiate this with the factory side and so the road for being able to suggest further improvements became closed.

I was able to improve the bobbins at the time of the Mint Collection ramp-up but that was the end.

Some time after the new bobbin was introduced the specifications were changed for the worse. The stock of wire ran out and they switched to plain urethane wire but I never had any report of this.

After that rich tone was completely lost, it never came back.

From http://ameblo.jp/ktguitarresearch/entry-10475069153.html

Time machine Greco Spacey Sound SE-500 - D818100

A lot was going right on the Fujigen line to put out this combination of wood, metal and plastic back in April 1981. Aoyama Oyaji was just in Grade 6 back then and probably had never seen an electric guitar in person when Kenji Oyama was putting this together.

What happened here with the 2-piece ash body matched with a thick '54 style neck with some decent flame? I thought SE-500s were made with leftovers from the woodpile. It sounds like the specs of an SE-600 or even SE-800 aside from the thin poly, which feels pretty close to the nitro finishes they used back then anyway. I'll put it down to the Japanese work ethic at the time and some luck in whatever Kenji had on the woodpile at the time.

A number was stamped on bodies according to the model. Here the "5" stamp was used for this SE-500. If you think you might have a partscaster Greco check the neck pocket for the stamp.

This must have been stored in a nice place with air conditioning as there is pretty much no tarnishing or oxidation at all. Really "Mint" condition aside from a small bump on the upper back side.

It is also a light guitar at 3.4 kg which is pretty much perfect for my tastes. It has great sustain and the Excel pickups are wonderful strat replicas no matter what anyone says. Here are a few more pictures:

Time machine Greco Spacey Sound SE-500 - D818100

A lot was going right on the Fujigen line to put out this combination of wood, metal and plastic back in April 1981. Aoyama Oyaji was just in Grade 6 back then and probably had never seen an electric guitar in person when Kenji Oyama was putting this together.

What happened here with the 2-piece ash body matched with a thick '54 style neck with some decent flame? I thought SE-500s were made with leftovers from the woodpile. It sounds like an SE-600 or even SE-800 aside from the thin poly which feels pretty close to the nitro finishes they used back then anyway. I'll put it down to the Japanese work ethic at the time and some luck in whatever Kenji had on the woodpile at the time.

A number was stamped on bodies according to the model. Here the "5" stamp was used for this SE-500 If you think you have a partscaster Greco check the neck pocket for the stamp.

This must have been stored in a nice place with air conditioning as there is pretty much no tarnishing or oxidation at all. Really "Mint" condition aside from a small bump on the upper back side.

It is also a light guitar at 3.4 kg which is pretty much perfect for my tastes. It has great sustain and the Excel pickups are wonderful strat replicas no matter what anyone says. Here are a few more pictures:

Crews KTR Limited K&T NFS Bridge Pickup Demo

I forgot about this short recording I made a couple of years ago of the K&T (link to website here)NFS bridge pickup of this Crews KTR Limited. Not a great recording or terribly good playing, but I think the pickup character comes through regardless.

Paisley Greco SG from 1987

Here is another one of those oddities that pop up every now and then among old Greco guitars. This is a 1987 SG in paisley. I haven't seen any other model like this and Greco didn't even have a paisley tele as far as I have seen so perhaps it was made for an artist or was some kind of limited run.  It has a fairly beefy neck and plays really nicely. I am not sure what the pickups are as the covers are on and I can't see if it has alnico magnets or ceramic. So it goes with old guitars. Only the original owner may know for sure!