Greco PU-2s and the letter "A"

These "A" stamped pickups show up from time to time, with no real reason or rhyme. Why did they use an "A" stamp on some 80's Maxon pickups made for Greco?

The only working idea I have is that they wound the "A" pickups in the same place and at the same time as they wound the "Z" pickups. I think they probably didn't want to get them mixed up so decided to use an "A" stamp for PU-2 pickups.

Are all "A" stamped pickups PU-2s? There are also some "A" pickups without "PU-2" embossing in the plates. One more mystery.

The pictured set is from a 1980 EGF-850. The numbers suggest different production dates. Only one has an "A".

Case candy and an early ST-60 Tokai

"This is the exact replica of the good old strat"

With rare tag

I had to go have a look on some of the Tokai and MIJ guitar forums to see exactly what this one is about. It is an early 1978 Tokai ST-60 in the sub-600 serial range. These early Springy Sounds had a slightly narrower neck plate and also pre-date the use of the "E" stamped grey bobbin pickups.

I was able to confirm that indeed that the pickups were original; the solder is virgin and I had never seen the particular brass grounding plate that Tokai used on these guitars. 

It is a typical ST-60 with a centre-matched SEN body and one-piece maple neck with a nice thin poly finish. These really look to me like fresh nitro with the thin layer or poly letting the grain of the SEN come through.

It came with a rare "Springy Sound ST Series" hangtag that is actually a sticker. Nice to see one of these, I don't recall seeing them before so perhaps it was something from the early days.

Currently available in my Reverb store (click link below). Direct messages welcome as well!

Original "Type A" pickups

Stamped "ST-60" and a reverse ink transfer of the S/N stamped on the neck

Tokai assembly with pickup grounds soldered to the baseplate

Greco Vintage Commercials

Thanks to whoever uploaded these blasts from the past.

Not easy being green

Yes, it has been over 2 months since the last post here. Belated Happy New Year 2019, and Happy Lunar New Year while it is still the season.

This popped up for sale earlier this week and I couldn't resist getting it.  It is an ESP Japan guitar with all the goodness that entails, plus the amazing inlay work in the headstock, fretboard and body. As a nice touch it has a pair of Seth Lover Seymour Duncans which I really like for a PAF-like humbucker.

It is apparently an ESP 30th anniversary model from 2004. I found an old listing of this on Reverb from Ishibashi with a list price of $4648. The serial matches so it looks like someone bought it a couple of years ago and then traded in to another guitar store in Tokyo last week. 

There is also an e-bay reseller who is listing this very guitar for some reason. the pictures are different from the Ishibashi listing so perhaps the guitar was resold recently.

These Potbellys are available as ESP or Edwards models and this one at least has a great balance between body and neck.  Green is not my colour of choice for guitars but it works pretty well IMO for this one. 

Grecomania strikes again

Aoyama Oyaji has been busy lately with what else but some new Greco golden age guitars. 

Not much to report in detail, just some new pictures of old guitars.

1980 Super Real Custom. It came with DRY-Z but in a moment of stupidity they were sold.

1981 Super Real EGF-1800? It came with a Super Real case but no pickups.

EGF-850 Super Sound. No, really! PU-2, veneer flame, MOP inlays, and "Super Sound" on the headstock.

Good old 1980 EGF-850 "Super Real". Double white PU-2 pickups.

1983 Mint Collection EC57-60. Oddly light at 4.0 kg.

1986 EG60-180 equivalent. It has "Custom Order" in the pickup cavity, solid flametop, 1 piece back, and real nitro with finish checking.

1990 solid flametop with nitro finish. 2-piece back and neck heel make it an odd high-end model.

I814310

Environmentally friendly packing

I was a bit surprised when the Japan Post guy showed up on Saturday night and handed me the package on the left. Usually guitars show up in at least rectangular boxes of some kind. Fortunately the cargo was intact. This 1981 Greco SE-500 looked to be in very rough shape from the auction pictures so I was thinking it would need some serious work, or at worst be a source of some nice parts.


I814310, with the bridge riding exceptionally high due to the 6 screws being a cm out of their normal position. 

3TS SE-500 1981

Not looking too good

The action looked like something was not going to end well but after adjusting the bridge and the truss rod nut the action is just perfect. The frets are in great condition and after a good cleaning of some unidentified gunk this SE-500 is back in action.

Before 

After, weighing in at all of 3.1 kg. Lightest Greco strat I have had.

In bits and pieces for some cleaning and inspection

3TS finish, except under the pickguard. Why waste paint?

Number 5 for SE-500

Stamped steel saddles

Back in the land of the good old Greco

Aoyama Oyaji has returned back to the Aoyama base since last month and no sooner did the dust settle than I bought couple of nice Grecos from the early 80's. Both have a little bit of good old fashioned playing wear but with a string change and a cleanup are back in fighting shape.

1982 Greco TE-600 (guess) and 1983 EC-57-60

The tele in the black and gold style is an April 1984 tele which means the end of the line for Greco Fender copies since the partnership with Kanda Shokai and Yamano Music with Fender USA and Fujigen started up around that time.  This is a tone monster with some very nice tele pickups inside and great sustain. From what I can tell under the poly finish is a 3-piece sen ash body. There were a few of these D82**** models out there including the one pictured below from a few years back which suggests a free for all on the production floor or perhaps alternately these were new models planned for the 1982 "Mint Collection" era that didn't make it past the month of April 1982.

April 1982 SE-???

The Mint Collection EC57-60 is a version of the original 50's era Gibson black beauty Les Paul Custom that gives the warmth of the all-mahogany body construction, along with the weakness of the non-volute headstock. Fortunately this one has survived with no damage except a couple of finish chips on the neck.

It is just over 4.0 kg which is quite light compared to the two example I had before which were 10 pounders. The three Screamin' 1982 pickups give the three neck / out of phase middle+bridge/ bridge options.  It would be lovely to have an ebony board with MOP but this rosewood board is nice and at the price point there really are no complaints.

Classy pair of 30-something Grecos

Greco 8's Black + Gold